Wait Till Your Father Gets Home aired from September 1972 until September 1974 in first run syndication.
This rather unsuble animated situation comedy was an attempt to cash in on the enormous success of All in the Family. Harry Boyle ( voice of Tom Bosley) was a conservative businessman-father who was continually exasperated by the excesses of his hippie son Chet ( David Hayward) and sexually liberated daughter Alice ( Kristina Holland). His allies were obedient youngest son, Jamie ( Jackie Haley) and Neanderthal neighbor Ralph ( Jack Burns), who gave his family close-order drill against the day of the Communist invasion. Wife Irma ( Joan Gerber) was neutral.
A good many celebrities appeared on the show, sometimes voicing cartoon representations of themselves. Among them were Don Knotts, Phyllis Diller, Don Adams, Rich Little, Jonathan Winters and Monty Hall.
Wait Till Your Father Gets Home began as an animated segment on Paramount's Love American Style series on ABC-TV in 1972. The segment, was entitled " Love and the Old Fashioned Father" it served as the pilot for the syndicated 1972-1974 series. The pilot was then purchased by the NBC owned stations to help fill up the then new FCC prime time access rule time slots.
Wait Till Your Father Gets Home ran for two syndicated seasons but since it lacked the kiddie fanbase of its stone age predecessor The Flintstones, this Hannah-Barbara cartoon never made the jump to Saturday morning. In recent years the series' reruns have shown up on The Cartoon Network.
Do you remember 'Wait Till Your Father Gets Home,' the primetime family cartoon between the Flintstones and the Simpsons?
This animated sitcom had similar roots to 'Happy Days' — and featured one of its stars.
When The Flintstones hit their airwaves in 1960, nothing like it had been seen before. Here was a cartoon on in the evening, a working-class adult comedy inspired by The Honeymooners, with a cigarette as its corporate sponsor.
Here's how ahead of the curve that was: Though it was animated by Hanna-Barbera in bright colors, a huge chunk of the country could only watch Fred, Wilma and the Rubbles in black and white.
Nearly three decades would pass until the Simpsons made their debut in April 1987. Homer and his clan seemed inspired by another modern family on the nascent Fox network, the Bundys of Married… With Children.
In between those two titans of cartoons, the major networks had tried here and there to make animation work in primetime. Following in the footsteps of The Flintstones, Top Cat and The Jetsons ran on Wednesday and Sunday nights, respectively. Jonny Quest came along a couple of years later. Hanna-Barbera tried again in 1970 with Where's Huddles?, a sort of Flintstones-meets-football concept.
Surprisingly, none of those toons lasted longer than a single season in their primetime slot.
Even the world of The Mary Tyler Moore Show attempted an animated show in Carlton Your Doorman, a failed pilot spin-off of Rhoda.
There was just one animated series to stay in primetime for longer than a season between The Flintstones and The Simpsons. It was syndicated, and it is largely forgotten.
Like Happy Days, Hanna-Barbera's Wait Till Your Father Gets Home was a spin-off of Love, American Style. The pilot originally aired in the episode "Love and the Old-Fashioned Father." That was not the cartoon's only link to the Fonz. Tom Bosley, Mr. Cunningham himself, voiced Harry Boyle, the titular father in Wait Till Your Father Gets Home.
Harry and the Boyles were heavily influenced by Archie and the Bunkers. The All in the Family formula worked well in animated form, as Wait Till Your Father Gets Home successfully ran for three seasons, from 1972 to 1974.
The artistic style of Wait Till Your Father Gets Home brought to mind daily comic strips, looking somewhat similar to Hi and Lois or Zits. Two notable child stars of the 1970s gave voice to the youngest son, Jamie Boyle. Jackie Earle Haley and Willie Aames were the actors behind the teenage toon.
Like All in the Family, the cartoon fearlessly dealt with politics and the generation gap. For example, in "Help Wanted," Harry, who sells restaurant equipment, interviews numerous minorities when looking to hire a new employee. That's not exactly something you'd find on Saturday mornings in Super Friends. Clearly, such grown-up plots tapped into the zeitgeist. The cartoon proved to be such a hit, typically airing on Sunday nights at 10:30PM, that a live-action adaptation was shot with Van Johnson, the former matinee idol turned Batman villain. However, that pilot was not picked up. After all, All in the Family already existed.
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